Proceedings
I. Papers
1. Of Music, Mind and Machines: Towards an Integrative Musicology
Kevin Dahan (Université Paris-Est Marne-La-Vallée, Champs-sur-Marne, France)
2. Improvisation without Representation: Artificial Intelligence and Music
Adam Linson, Chris Dobbyn, Robin Laney (The Open University, Milton Keynes, UK)
3. The Education of the AI Composer: Automating Musical Creativity
Benjamin Smith, Guy Garnett (University of Illinois at Urbana Champaign, Urbana, IL)
4. A Cognitive Mechanism for Spontaneous Musical Creativity
Geraint Wiggins (Queen Mary University of London, London, UK)
5. Move/Bevæg Dig: An Interactive Sound Art Installation
Stina Marie Hasse Jorgensen (University of Copenhagen, Copenhagen, Denmark), Jeff Snyder (Princeton University, Princeton, NJ)
6. Simulating the listening of composing
Eliot Handelman (CIRMMT, Montreal, Canada), Andie Sigler (McGill University, Montreal, Canada)
7. Sonik Spring
Tomas Henriques (Buffalo State College, Buffalo, NY)
8. A creative artificially-intuitive and reasoning agent in the context of live music improvisation
Jonas Braasch, Doug Van Nort, Pauline Oliveros, Selmer Bringsjord, Naveen Sundar Govindarajulu, Colin Kuebler, Anthony Parks (Rensselaer Polytechnic Institute, Troy, NY)
9. Education Through Music Technology
Matthew Prockup, Alyssa Batula, Brandon Morton, Youngmoo Kim (Drexel University, Philadelphia, PA)
10. A Theory of ‘Multiple Creativities’: Outcomes from an Undergraduate Seminar in Conducting Robots
Andrea Salgian, Teresa M. Nakra, Christopher Ault, Yunfeng Wang (The College of New Jersey, Ewing, NJ), Meredith Stone (Independent Evaluator, Lawrenceville, NJ)
11. Towards the Development of Robot Musical Audition
David Grunberg, Alyssa Batula, Youngmoo Kim (Drexel University, Philadelphia, PA)
12. From Music to Visuals – and Back. 2D Fourier Transform applied on Music Piano Roll Plots
Reinhold Behringer (Leeds Metropolitan University, Leeds, UK)
13. The Transitioning of Sound from Consciousness into the External Space (Inspired to the Stage Performance Linear and Aerial Perspectives by Clara Tomaz)
Clara Tomaz (Rensselaer Polytechnic Institute, Troy, NY)
14. New Physical and Digital Interfaces for Music Creation and Expression
Jeffrey Scott, Brian Dolhansky, Matthew Prockup, (Drexel University) Andrew McPherson (Queen Mary University of London), Youngmoo Kim (Drexel University, Philadelphia, UK)
15. Realtime Dynamic Expressive Tuning: Where Does the Music Go?
Manfred Clynes, Georgetown University, Washington, DC
16. Techniques for Modeling Expression in Plucked Guitar Tones
Raymond Migneco, Youngmoo Kim (Drexel University, Philadelphia, PA)
17. The Data Sensorium: Sonifications. A Collaboration between cDACT and BNL
Margaret Schedel, Timothy Vallier (Stony Brook University, Stony Brook, NY)
18. Modeling and Predicting Emotion in Music
Erik Schmidt, Youngmoo Kim (Drexel University, Philadelphia, PA)
19. Correlating Emotional Arousal to Musician Performance
Nima Rahimi, Melissa A. Mastro, Teresa M. Nakra, Brett F. BuSha (The College of New Jersey, Ewing, NJ)
20. Aesthetic and Philosophical Implications of Noise in Morphons and Bions (2011)
Kerry Hagan (University of Limerick, Limerick, Ireland)
21. New Approaches in Brain-Computer Music Interfacing: Mapping EEG for Real-Time Musical Control
Joel Eaton, Eduardo Miranda (Interdisciplinary Centre of Computer Music Research, University of Plymouth, UK)
II. Demos
Stina Marie Hasse Jorgensen (University of Copenhagen, Copenhagen, Denmark), Jeff Snyder (Princeton University, Princeton, NJ)
2. Soundstrand: A Toy for Music Composition
Eyal Shahar (MIT Media Lab, Cambridge, MA)
See also: SoundStrand.mp4
3. The Sound and Touch of Ether's Flux
Joshua Mailman (Columbia University, New York, NY), Sofia Paraskeva (Copper Blue Media, New York)
See also: Album on vimeo
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