Production Team: Rich Kroth, Rena Jordan, Mark Kalinowski, Susan O'Connor, Deanna Biase, John Laughton, Judy Smedley, Cathie Allison


Program Committee:Juan Bello, Winslow Burleson, Brett Busha, Michael Casey, Elaine Chew, Parag Chordia, Dan Ellis, Morwaread Farbood, Rebecca Fiebrink, Michel Galante, Grady Gerbracht, Fabien Gouyon, Ozgur Izmirli, Youngmoo Kim, Miroslav Martinovic, Andrew McPherson, Kazuhiro Nakadai, Doug Riecken, Robert Rowe, Meredith K. Stone, Jennifer Wang, Gil Weinberg

Contact for more information: mmi@tcnj.edu

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General Chair: Teresa Marrin Nakra

Program Chair: Andrea Salgian

Performance Chair: Roger Dannenberg

Creative Work Chair: Chris Ault


Performance Committee: Dan Trueman, Gary Fienberg


Creative Work Committee: Margaret Minsky, Warren Buckleiter


Production Coordinator: Rita Patel Eng

Paper Session II
Saturday March 31, 2012

Mildred and Ernest E. Mayo Concert Hall


1:00 – 1:20: Education Through Music Technology

                      Matthew Prockup, Alyssa Batula, Brandon Morton, Youngmoo Kim (Drexel University,                       Philadelphia, PA)
1:20 – 1:40: A Theory of ‘Multiple Creativities’: Outcomes from an Undergraduate Seminar in Conducting

                      Robots

                      Andrea Salgian, Teresa M. Nakra, Christopher Ault, Yunfeng Wang (The College of New Jersey,                       Ewing, NJ) Meredith Stone (Independent Evaluator, Lawrenceville, NJ)
1:40 – 2:00: Towards the Development of Robot Musical Audition

                      David Grunberg, Alyssa Batula, Youngmoo Kim (Drexel University, Philadelphia, PA)
2:00 – 2:20: From Music to Visuals – and Back. 2D Fourier Transform applied on Music Piano Roll Plots

                       Reinhold Behringer (Leeds Metropolitan University, Leeds, UK)
2:20 – 2:40: The Transitioning of Sound from Consciousness into the External Space (Inspired to the Stage                        Performance Linear and Aerial Perspectives by Clara Tomaz)

                       Clara Tomaz (Rensselaer Polytechnic Institute, Troy, NY)
2:40 – 3:00: New Physical and Digital Interfaces for Music Creation and Expression

                        Jeffrey Scott, Brian Dolhansky, Matthew Prockup, (Drexel University) Andrew McPherson                         (Queen Mary University of London), Youngmoo Kim (Drexel University, Philadelphia, UK)
3:00 – 3:20: Realtime Dynamic Expressive Tuning: Where Does the Music Go?

                         Manfred Clynes, Georgetown University, Washington, DC


3:20 – 3:40: Break


3:40 – 4:00: Techniques for Modeling Expression in Plucked Guitar Tones

                         Raymond Migneco, Youngmoo Kim (Drexel University, Philadelphia, PA)
4:00 – 4:20: The Data Sensorium: Sonifications. A Collaboration between cDACT and BNL

                         Margaret Schedel, Timothy Vallier (Stony Brook University, Stony Brook, NY)
4:20 – 4:40: Modeling and Predicting Emotion in Music

                         Erik Schmidt, Youngmoo Kim (Drexel University, Philadelphia, PA)
4:40 – 5:00: Correlating Emotional Arousal to Musician Performance

                         Nima Rahimi, Melissa A. Mastro, Teresa M. Nakra, Brett F. BuSha (The College of New                          Jersey, Ewing, NJ)
5:00 – 5:20: Aesthetic and Philosophical Implications of Noise in Morphons and Bions (2011)

                         Kerry Hagan (University of Limerick, Limerick, Ireland)


5:20: Wrap-up and Final Remarks